Media Ecological Moments in Flusser

Peter Zhang, Eric McLuhan

Abstract


This article presents a few media ecological moments in Vilém Flusser’s work. The key motifs covered include: media as simulations, alphabet versus syllabary, miniaturization, retrieval, history versus post-history, line versus surface, inebriation and perception, chamber music, and negentropy.

Cet article identifie quelques aspects caractéristiques de l’écologie des médias dans l’œuvre de Vilém Flusser. Les principaux motifs abordés sont les suivants : les médias vus comme simulation, les alphabets et les syllabaires, la miniaturisation, la récupération, l’histoire et la posthistoire, la ligne et la surface, l’ivresse et la perception, la musique de chambre, et la négentropie.


Keywords


Flusser; Post-history; Perception; Chamber music; Negentropy; Interality

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DOI: https://doi.org/10.22230/cjc.2015v40n3a3026

License URL: http://creativecommons.org/licenses/by-nc-nd/2.5/ca/
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