Cover image, Z_Orb, by Sabine Bitter.
Sabine Bitter works with Helmut Weber. They have collaborated on projects addressing urban geographies, architectural representations, and related visual politics. Their series of photo- and video-works such as Recent Geographies, Caracas Hecho en Venezuela and LIVE LIKE THIS! engage with specific moments and cultural logics of globalization as they are materialized in architecture as a frame for social meaning.
Table of Contents
Editorial
| Editorial |
PDF
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|
Kim Sawchuk |
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Articles
| Virilio: Mimesis, Mourning, and Modern Technology |
Abstract PDF
|
|
Kirsten Emiko McAllister |
|
| Live from the Met: Medium Theory and Digital Broadcast Cinema |
Abstract PDF
|
|
Paul Heyer |
|
| Conditional Hospitality: Framing Dialogue on Poverty in Montréal Newspapers |
Abstract PDF
|
|
Greg M. Nielsen |
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| Getting the Picture: Airtime and Lineup Bias on Canadian Networks during the 2006 Federal Election |
Abstract PDF
|
|
Marsha Barber |
|
| Racializing the Audience: Immigrant Perceptions of Mainstream Canadian English Language TV News |
Abstract PDF
|
|
Minelle Mahtani |
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| Listening to Labour: Mainstream Media, Talk Radio, and the 2005 B.C. Teachers Strike |
Abstract PDF
|
|
Shane Gunster |
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| Digital Taylorization of Social Service Work |
Abstract PDF
|
|
Vanda N. Rideout |
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| Permeability between Work and Non-Work: The Case of Self-Employed IT Workers |
Abstract PDF
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|
Diane-Gabrielle Tremblay, Émilie Genin |
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Review Essay
| We Are Still Looking: Alexander Watson, Marginal Man, and the Continuing Search for the "Hidden Innis" |
PDF
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|
John M. Bonnett |
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Reviews
| Kids Rule! Nickelodeon and Consumer Citizenship |
PDF
|
|
Larissa Faulkner |
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| Killing Women: The Visual Culture of Gender and Violence |
PDF
|
|
Yasmin Jiwani |
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| Electronic Monuments (Electronic Mediations) |
PDF
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|
Sherryl Vint |
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