Vol 40, No 2 (2015)

Cultural Production in Canada

Cover Page

Above and below the line workers. Make-up artists prepare Erin Karpluk and Tahmoh Penikett for a scene. Web Series: Riftworld Chronicles (Dir. Jonathan Williams). Location: Toronto, 2014.


Table of Contents

Guest Editorial

Guest Editorial: Cultural Production in Canada
Zoë Druick, Danielle Deveau

Articles

Branding History at the Canadian Museum of Civilization
Melissa Aronczyk, Miranda J. Brady
Producing Reality: Television Formats and Reality TV in the Canadian Context
Christine Quail
The Capacity for Mobilization in Project-Based Cultural Work: A Case of the Video Game Industry
Marie-Josée Legault, Johanna Weststar
"Keeping up" through Teaching and Learning Media Software: "Introducing" Photoshop
Frédérik Lesage, Svetlana Smirnova
The Economic Lives of Circus "Artists": Canadian Circus Performers and the New Economy
Lindsay Katyana Stephens
Telling Our Stories: Screenwriters and the Production of Screen-Based Culture in English-Speaking Canada
Michael Coutanche, Charles H. Davis, Emilia Zboralska
Sabotaging Reality: Exploring Canadian Women’s Participation on Neoliberal Reality TV
Natasha Patterson
Inside Out: The Internationalization of the Canadian Independent Recording Sector
Richard Sutherland
Le quartier comme production culturelle: du développement économique municipal au développement culturel des quartiers à Montréal
Martin Lussier

Research in Brief / Interview

The Art of Collective Bargaining: An Interview with Carole Condé and Karl Beveridge
Greig de Peuter, Nicole S. Cohen

Reviews

Creative Margins: Cultural Production in Canadian Suburbs
Michael Paul Mowbray
Les politiques culturelles provinciales et territoriales du Canada: Origines, évolutions et mises en œuvre
Claude Martin
Out of the Basement: Youth Cultural Production in Practice and in Policy
Giuliana Cucinelli
Ici était Radio-Canada
Robert Armstrong
Shut Off: The Canadian Digital Television Transition
Doris Baltruschat
Margaret Atwood and the Labour of Literary Celebrity
Julie Rak
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We wish to acknowledge the financial support of the Social Sciences and Humanities Research Council for their financial support through theAid to Scholarly Journals Program.

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