Back Issues

2019

Vol 44, No 2 (2019): Mediating Disease Cultures

Part of Luke Jerram’s Glass Microbiology series, this sculpture is Untitled Future Mutation. This is a fictional virus, a future virus that has yet to be born. Has this virus been created in the laboratory or evolved naturally? Will the impact of this virus be of benefit or hindrance to humanity? (lukejerram.com)

Vol 44, No 1 (2019): Media Probe

First cover: Media Probe

2018

Vol 43, No 4 (2018): Landscapes of Communication

Landscapes of Communication. Image by designer Brian Hydesmith.

Vol 43, No 3 (2018): Challenging Technological Utopianism

"Touch of Tech" by Merlyna Lim, 2018

Vol 43, No 2 (2018): Hockey Night and Other Canadian Myths

Canadian Myths on Ice photomontage by designer Brian Hydesmith.

Vol 43, No 1 (2018): Special Issue: Communicating Power: Energy, Canada, and the Field(s) of Communication

Photo credit: Warren Cariou, Bitumen Additive Pipelines, 2015.

2017

Vol 42, No 5 (2017)

Readers: Implicit, Explicit, Gendered. Cover image by graphic designer Brian Hydesmith

Vol 42, No 4 (2017)

Image by Loudmouth Printhouse, an Ottawa based, artist run, printing cooperative. www.loudmouthprinthouse.com

Vol 42, No 3 (2017): Special Issue: At the Margins of Cybernetics

Courtesy of "Bell Telephone Magazine" (1922, p. 161). Source: Internet Archive Book Images

Vol 42, No 2 (2017): Seniors and Technology: Issues of Inclusion and Exclusion

Photography by Hydesmith Communication

Vol 42, No 1 (2017): Activism and Communication Scholarship in Canada

The cover art for TAB: Take Academia Back! was created by David Hlynsky and Paul Mansell.

2016

Vol 41, No 4 (2016): Dreams, Dramas, and Crises

Dreams, Dramas, and Crises by Loudmouth Press, Ottawa

Vol 41, No 3 (2016): Studies in Interality

Cover image created by Lee Hsiao-Kun.

Vol 41, No 2 (2016): The Rashomon Effect and Communication Studies

Rashmonon publicity photo of the samurai, his wife, and the bandit, taken during filmmaking by the Daiei Company, 1950. Kodakawa Corporation. (Used under the “fair dealing” provision in Canada.)

Vol 41, No 1 (2016): Media Frames

Dennis Tourbin, October Fragments, acrylic on canvas, 1991.

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Back Issues

2019

Vol 44, No 2 (2019): Mediating Disease Cultures

Vol 44, No 1 (2019): Media Probe

2018

Vol 43, No 4 (2018): Landscapes of Communication

Vol 43, No 3 (2018): Challenging Technological Utopianism

Vol 43, No 2 (2018): Hockey Night and Other Canadian Myths

Vol 43, No 1 (2018): Special Issue: Communicating Power: Energy, Canada, and the Field(s) of Communication

2017

Vol 42, No 5 (2017)

Vol 42, No 4 (2017)

Vol 42, No 3 (2017): Special Issue: At the Margins of Cybernetics

Vol 42, No 2 (2017): Seniors and Technology: Issues of Inclusion and Exclusion

Vol 42, No 1 (2017): Activism and Communication Scholarship in Canada

2016

Vol 41, No 4 (2016): Dreams, Dramas, and Crises

Vol 41, No 3 (2016): Studies in Interality

Vol 41, No 2 (2016): The Rashomon Effect and Communication Studies

Vol 41, No 1 (2016): Media Frames

2015

Vol 40, No 4 (2015): Digital Technologies and Social Transformations: What Role for Critical Theory?

2016

Vol 41, No 1a (2016)

2015

Vol 40, No 3 (2015): Vicissitudes of the Cyber

Vol 40, No 2 (2015): Cultural Production in Canada

Vol 40, No 1 (2015): Visible/Invisible: Religion, Media, and the Public Sphere