2020
2019
Vol 44, No 2 (2019): Mediating Disease Cultures
Part of Luke Jerram’s Glass Microbiology series, this sculpture is Untitled Future Mutation. This is a fictional virus, a future virus that has yet to be born. Has this virus been created in the laboratory or evolved naturally? Will the impact of this virus be of benefit or hindrance to humanity? (lukejerram.com)
2018
Vol 43, No 4 (2018): Landscapes of Communication
Landscapes of Communication. Image by designer Brian Hydesmith.
Vol 43, No 2 (2018): Hockey Night and Other Canadian Myths
Canadian Myths on Ice photomontage by designer Brian Hydesmith.
Vol 43, No 1 (2018): Special Issue: Communicating Power: Energy, Canada, and the Field(s) of Communication
Photo credit: Warren Cariou, Bitumen Additive Pipelines, 2015.
2017
Vol 42, No 5 (2017)
Readers: Implicit, Explicit, Gendered. Cover image by graphic designer Brian Hydesmith
Vol 42, No 4 (2017)
Image by Loudmouth Printhouse, an Ottawa based, artist run, printing cooperative. www.loudmouthprinthouse.com
Vol 42, No 3 (2017): Special Issue: At the Margins of Cybernetics
Courtesy of "Bell Telephone Magazine" (1922, p. 161). Source: Internet Archive Book Images
Vol 42, No 2 (2017): Seniors and Technology: Issues of Inclusion and Exclusion
Photography by Hydesmith Communication
Vol 42, No 1 (2017): Activism and Communication Scholarship in Canada
The cover art for TAB: Take Academia Back! was created by David Hlynsky and Paul Mansell.
2016
Vol 41, No 4 (2016): Dreams, Dramas, and Crises
Dreams, Dramas, and Crises by Loudmouth Press, Ottawa
Vol 41, No 2 (2016): The Rashomon Effect and Communication Studies
Rashmonon publicity photo of the samurai, his wife, and the bandit, taken during filmmaking by the Daiei Company, 1950. Kodakawa Corporation. (Used under the “fair dealing” provision in Canada.)
Vol 41, No 1 (2016): Media Frames
Dennis Tourbin, October Fragments, acrylic on canvas, 1991.
© CARCC, 2016. Collection of Rodman Hall Art Centre/Brock University. Photo credit: Dany Custodio.
